{"id":4137,"date":"2025-07-28T11:00:50","date_gmt":"2025-07-28T06:00:50","guid":{"rendered":"https:\/\/news.iq\/?p=4137"},"modified":"2025-07-28T19:11:47","modified_gmt":"2025-07-28T14:11:47","slug":"sarajevo-street-art-marks-out-brighter-future","status":"publish","type":"post","link":"https:\/\/news.iq\/en\/sarajevo-street-art-marks-out-brighter-future\/","title":{"rendered":"Sarajevo street art marks out brighter future"},"content":{"rendered":"<p>Bullet holes still pockmark many Sarajevo buildings; others threaten collapse under disrepair, but street artists in the Bosnian capital are using their work to reshape a city steeped in history.<\/p>\n<p>A half-pipe of technicolour snakes its way through the verdant Mount Trebevic, once an Olympic bobsled route &#8212; now layered in ever-changing art.<\/p>\n<p>&#8220;It&#8217;s a really good place for artists to come here to paint, because you can paint here freely,&#8221; Kerim Musanovic told AFP, spraycan in hand as he repaired his work on the former site of the 1984 Sarajevo Games.<\/p>\n<p>Retouching his mural of a dragon, his painting&#8217;s gallery is this street art hotspot between the pines.<\/p>\n<p>Like most of his work, he paints the fantastic, as far removed from the divisive political slogans that stain walls elsewhere in the Balkan nation.<\/p>\n<p>&#8220;I want to be like a positive view. When you see my murals or my artworks, I don&#8217;t want people to think too much about it.<\/p>\n<p>&#8220;It&#8217;s for everyone.&#8221;<\/p>\n<p>During the Bosnian war, 1992-1995, Sarajevo endured the longest siege in modern conflict, as Bosnian Serb forces encircled and bombarded the city for 44 months.<\/p>\n<p>Attacks on the city left over 11,500 people dead, injured 50,000 and forced tens of thousands to flee.<\/p>\n<p>But in the wake of a difficult peace, that divided the country into two autonomous entities, Bosnia&#8217;s economy continues to struggle leaving the physical scars of war still evident around the city almost three decades on.<\/p>\n<p>&#8216;A form of therapy&#8217;<br \/>\n&#8220;After the war, segregation, politics, and nationalism were very strong, but graffiti and hip-hop broke down all those walls and built new bridges between generations,&#8221; local muralist Adnan Hamidovic, also known as rapper Frenkie, said.<\/p>\n<p>Frenkie vividly remembers being caught by police early in his career, while tagging trains bound for Croatia in the northwest Bosnian town of Tuzla.<\/p>\n<p>The 43-year-old said the situation was still tense then, with police suspecting he was doing &#8220;something political&#8221;.<\/p>\n<p>For the young artist, only one thing mattered: &#8220;Making the city your own&#8221;.<\/p>\n<p>Graffiti was a part of Sarajevo life even during the war, from signs warning of sniper fire to a bulletproof barrier emblazoned with the words &#8220;Pink Floyd&#8221; &#8212; a nod to the band&#8217;s 1979 album The Wall.<\/p>\n<p>Sarajevo Roses &#8212; fatal mortar impact craters filled with red resin &#8212; remain on pavements and roads around the city as a memorial to those killed in the strikes.<\/p>\n<p>When he was young, Frenkie said the thrill of illegally painting gripped him, but it soon became &#8220;a form of therapy&#8221; combined with a desire to do something significant in a country still recovering from war.<\/p>\n<p>&#8220;Sarajevo, after the war, you can imagine, it was a very, very dark place,&#8221; he said at Manifesto gallery where he exhibited earlier this year.<\/p>\n<p>&#8220;Graffiti brought life into the city and also colour.&#8221;<\/p>\n<p>&#8216;A way of resisting&#8217;<br \/>\nSarajevo&#8217;s annual Fasada festival, first launched in 2021, has helped promote the city&#8217;s muralists while also repairing buildings, according to artist and founder Benjamin Cengic.<\/p>\n<p>&#8220;We look for overlooked neighbourhoods, rundown facades,&#8221; Cengic said.<\/p>\n<p>His team fixes the buildings that will also act as the festival&#8217;s canvas, sometimes installing insulation and preserving badly damaged homes in the area.<\/p>\n<p>The aim is to &#8220;really work on creating bonds between local people, between artists&#8221;.<\/p>\n<p>Mostar, a city in southern Bosnia, will also host the 14th edition of its annual street art festival in August.<\/p>\n<p>With unemployment nearing 30 percent in Bosnia, street art also offers an important springboard to young artists, University of Sarajevo sociology professor Sarina Bakic said.<\/p>\n<p>&#8220;The social context for young people is very difficult,&#8221; Bakic said.<\/p>\n<p>Ljiljana Radosevic, a researcher at Finland&#8217;s Jyvaskyla University, said graffiti allowed youth to shake off any &#8220;nationalist narrative or imposed identity&#8221;.<\/p>\n<p>&#8220;It&#8217;s a way of resisting,&#8221; Radosevic said.<\/p>\n<p>al-cbo\/al\/cw<\/p>\n<p>\u00a9 Agence France-Presse<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bullet holes still pockmark many Sarajevo buildings; others threaten collapse under disrepair, but street artists in the Bosnian capital are using their work to reshape a city steeped in history. A half-pipe of technicolour snakes its way through the verdant Mount Trebevic, once an Olympic bobsled route &#8212; now layered in ever-changing art. &#8220;It&#8217;s a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4138,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_sitemap_exclude":false,"_sitemap_priority":"","_sitemap_frequency":"","jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":""},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"jnews_post_split":[],"footnotes":""},"categories":[199],"tags":[1043,1042],"class_list":["post-4137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-entertainment","tag-arts","tag-bosnia"],"_links":{"self":[{"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/posts\/4137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/comments?post=4137"}],"version-history":[{"count":0,"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/posts\/4137\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/media\/4138"}],"wp:attachment":[{"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/media?parent=4137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/categories?post=4137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/news.iq\/en\/wp-json\/wp\/v2\/tags?post=4137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}